Below Nick Pell shares his concerns about the secondary effects theory and legislating the morality propounded at the Nopornnorthampton web site. While for myself (Always Controversial), personally, I may believe I am better off adopting in many respects, but not all respects, the morality Adam and Jendi recommend, I do share Nick's concerns about the secondary effects theory and legislating morality.
Tasteful erotica, we are told by NoPornNorthampton (NPN), depicts a state of love and commitment between participants. This idea, while perfectly fine as a personal preference, is incredibly dangerous to a society which values free speech, free expression and free choice when the proponent seeks to impose their preference on others. On the one hand, it describes a set of behaviors as normal and desirable, marginalizing those not in monogamous, heterosexual relationships or those with allegedly deviant sexuality. On the other, it seeks to eliminate specific content from the city. While NPN assures us that such limitations will be reasonable, I find little reason to accept their premise at face value. As always, political debates do not take place in a vacuum. The proposed zoning legislation comes at a time when the Bush administration is aggressively pursuing obscenity laws against artists, as well as speaking out in favor of repression of sexual minorities. In the final analysis, however, the rights of artists and a contemporary history of censorship lie at the center of this issue. Repressive elements in society have no shortage of reasons that consenting adults such as you and I do not have the right to make choices for ourselves. In considering the new zoning law, it seems prudent to consider what consequences could come later, particularly in regards to censorship and creeping fascism- two dangers far more insidious than the "secondary effects" spoken of time and again by NPN. The entire community should be concerned when a few vocal individuals take it upon themselves to not only dictate how we can choose to spend our money, but also what the "correct" forms of sexuality are. Allowing such voices to prevail can only lead down a slippery slope to an increasingly repressive environment. The First Amendment Center has a thorough and thoughtful analysis of how "secondary effects" are routinely used to undermine free expression, including using "secondary effects" to prohibit high schoolers from dying their hair unusual colors. The text can be read in full here.
It seems worthwhile to quote NPN: "We are not against sex. We are against mindless sex, abusive sex, sex without regard for issues like love, fidelity, commitment, pregnancy, disease and children." In other words, they are opposed to casual sex, polyamory, condoms and other forms of birth control. Why don't they- as someone has recently suggested on their website- move to Ave Maria, FL, a planned community for people who wish to avoid the terrible burden of being exposed to the sexuality of consenting adults. Just as the repression of pornography in Weimar Germany opened the door for repression of some of the best art of the period (Futurism and Dadaism were verboten), so will content-specific legislation open the door to repression of "obscene" or "indecent" or "degrading" forms of art- with the judge of such content not being the sensibilities of individual citizens, but a government censorship board in everything but name. Content-specific legislation will not only effect the kinds of "tasteful erotica" that NPN claims to support (such as how burlesque performers must have all of their naughty bits covered in the state of Massachusetts) but also art and literature. Universally lauded works of art as Ulysses and Naked Lunch have been banned as obscene. Recent critically acclaimed Vincent Gallo film The Brown Bunny (which features a potentially disturbing, arguably degrading act of oral sex as the film's climax), or even the television show Desperate Housewives (which depicts suburban infidelity and sexual relations between adults and minors) would be questionable using the criteria outlined by NPN above. The recent French film Baise Moi (translation- "fuck me") includes a graphic rape scene, with real penetration as did the similarly themed Irreversible, which Roger Ebert declared an essentially moralistic film. In short, sexually explicit and sexually transgressive art did not end with Henry Miller. The tradition is alive and well today, particularly in cinema but also in literature and the visual arts. How would the proposed laws effect a gallery showing of Trevor Brown or a midnight showing of The Brown Bunny? What of the measures enacted after what we are being told are the "first steps"?
Lest anyone think this discussion has become to abstract, I direct your attention to the National Coalition Against Censorship's Selective Timeline of Censorhip in the U.S.A. Many of these examples come from New York City, arguably the artistic capital of the world. The vague, undefinable nature of NPN's rhetoric should be cause for alarm. What is to stop, for example, films like Kinsey and Auto Focus being declared obscene because of their frank portrayal of sex? In fact, such films have been not merely protested by conservative Christian organizations but the subject of attempted bans. Robert Knight of the Culture and Family Institute states that "Just as Reagan was not content to contain communism but announced a rollback, pro-family organizations are not content to protest the latest outrage anymore, but will seek legislation and will punish sponsors of lewd entertainment." (Washington Post Article) Again, the groups opposed to the biopic about Dr. Kinsey did not outwardly protest, but rather ran a disinformation campaign aimed at smearing a man dead for four decades as a child molester and blaming him personally for AIDS, incest and pornography. NPN makes similar arguments attacking pornography generally- not the proposed location of Capital Video or relevant zoning laws. This should bring into question their claims about not being in favor of censorship.
In fact, NPN leader Adam Cohen has gone to great lengths to speak out in favor of the erotic material that he thinks people should be allowed to purchase. His list of signs that the pornography you consume may be "bad" can be found here.
The list seems to say far more about Adam Cohen's sexual ethics than anything else. This is further evidenced by Mr. Cohen's laundry list of material that he finds personally offensive, which can be found here. Included in the list is the infamous wedding night video of Paris Hilton, created between two consenting adults in a monogamous, legally-sanctioned relationship. So much for the claim that NPN seeks to do anything but proscribe a set of behaviors and choices in the community. It is my position that Mr. Cohen and his co-thinkers have the right to hold any beliefs they wish about pornography, sex and intimacy. What they do not have is the right to impose those positions on the broader community using legitimate concerns about the city's zoning as a smoke screen.
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7 comments:
We're sorry Mr. Pell has a complete lack of faith that well-informed citizens and city officials can make good judgments about where to draw the line between safety and freedom. These judgments are made all the time with respect to many of our constitutional rights, such as the right to bear arms.
America's courts have upheld the rights of citizens to regulate adult businesses for some time now, and no wave of censorship has swept the nation. The slippery slope argument is not supported by the relevant experience. Pell has to reach towards extreme examples like Weimar Germany to stir up concern. It's just not a good comparison.
As for Paris Hilton, sex between two consenting adults is not necessarily a big deal, but we felt Capital Video's sales pitch was cruel:
"Paris Hilton a blue blood celebrity now forever to be referenced by her 102 minutes of shame. Watched this surveillance film of the Hilton family's worst nightmare."
The "safety" versus "freedom" duality is false and misleading. Ben Franklin's famous words on the matter say more than I ever could. I have repeatedly linked to NCAC's timeline of censorship in America. Why have you failed to address this?
While I trust the cititzens of Northampton, I also lock my bike when I leave it downtown to keep honest people honest. The First Amendment exists precisely because America is founded on the idea that our civic leaders are not just handed a blank check with our freedoms. I admit that the Weimar Germany example is extreme- are your references to the Roman Empire any more relevant? I raise it only as an example of one of the many times in history that reasonable, intelligent, educated people were led piecemeal down the road to madness.
What I think is most relevant are the fringe works of art that I refer to. Using your own criteria such works could easily be blocked, banned or even have their creators arrested. While invoking extreme examples of the abuses of the adult entertainment industry, you have refused to address the legitimate concern that there are some works of art which can just as easily be construed as "obscene" as D.H. Lawrence or Henry Miller. Further, the line between sexually explicit art and pornography has never been as clear as NPN would like to portray it. Screw magazine (a heavy influence on Hustler) often featured covers by some of the leading lights of underground comics- R. Crumb and Wally Wood, to name only two.
Check out the website of Banned Books Week. I am not suggesting that you or your affiliated parties seek to ban works of art. What I suggest is that you may be putting something into motion which will have dire consequences down the road, particularly considering who runs the Justice Department today.
Here is an example of where such sentiments can end up. The road to hell is indeed paved with good intentions and it seems prudent to consider the consequences of new laws before enacting them- not as strawmen to be knocked down, but as real examples of where good intentions, untempered by caution and restraint can lead a community. Such careful consideration is necessary if we are to enact laws that will not be used to target artistic content down the road.
NP
In a country where Congress and the President are trying to strip us of our most essential rights, i.e. habeas corpus, it is essential that everyone question "well-informed" citizens and city officials. Also, you're being a bit ingenuous when you say that "courts have upheld rights of citizens to regulate adult businesses for some time now." In the first place, citizens don't regulate adult businesses, governments do. And in the second place, the America's courts have also struck down many of these laws as unconstitutional. Either you don't admit this because you're not as well-informed as you claim, or you're not being truthful in presenting your arguments.
Sorry, I meant to write "disingenuous" above.
Even if the authors of this blog are correct that regulation of adult material may sweep up some envelope-pushing artistic works along with real porn, is the freedom to watch "Desperate Housewives" or even "Baise Moi" ALWAYS the most important social value? Let's bring the focus back to the real women who are abused in the making of porn films. Some may indeed freely consent, but many do not - victims of international sex trafficking, pimps who prey on underage and homeless girls, substance abusers etc. Surely at some point we can say that the safety of these women trumps our entitlement to risque entertainment. One thing we can do for these women is to cut down on demand for porn by creating a social climate of disapproval of porn use. Let's be honest about how incredibly privileged we are, to be able to debate the merits of "transgressive" films while thousands of women are debating whether it's worse to starve to death or be f***'d in the ass by seven strangers a day.
Wow, that's rather... I'm actually a little bewildered. I'm just failing to see what international sex trafficking rings have to do with this. Yes, terrible sex crimes happen. Sometimes in the course of the sex trade. This is unfortunate, but your connection to the entire industry- from adult films to dominatrices and call girls- seems more than a bit tenuous to me. Connect the dots for me here.
I don't know how incredibly privileged "we" are. I suspect that you, Adam, Peter and I all have fairly different socioeconomic, ethnic and geographic backgrounds. A bit more to the point, I do not see the ability to be able to discuss art a "privilege." Artistic critique seems rather a fundamental human right, its absence indicative of a dysfunctional state. Unless you hold that only the "privileged" can appreciate art?
Your examples are again, rather extreme and lurid. It seems that rather than respond to the article you have attempted to create a sense of guilt, following with a somewhat bizarre and extreme hypothetical dichotomy. Simply put- I'm not really understanding the relevance of your response to the situation in Northampton (ostensibly the subject of debate) or the broader implications of pornography generally.
Watch where you tread with Desperate Housewives... it's a Valley favorite...
NP
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